4,083 Royalty-Free Audio Tracks for "B Major Chords"

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Stomp progression, block chords. IV7-#ivdim7 I7of5-I7 IV7 -#ivdim7 I7of5-I7 IV7-#ivdim7 I7of5-V7ofVofV V7ofV-V7 I7

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

Phrygian Andalusian cadence.

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.

Ragtime progression in C.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 1st movement.

1st release date: 1942 1st recording date: 29 August 1942 Place of recording: unknown Author(s)/Composer(s): George Frideric Handel (1685-1759) Music arranger(s): Sir Hamilton Harty (1879-1941) Lyricist(s): none Conductor: Sir Malcolm Sargent (1895-1967) Performer(s): The Hallé Vocal range: instrumental Title/Work: Water Music, HWV 348-350 Content: Suite in F major, HWV 348: Allegro deciso Genre(s): Suites

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 2nd movement, adagio

A fingerpicked f#add11 chord with tremolo added at the end for suspense.

Recorded with h5 zoom digital recorder.

In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.

Used as transition between scenes for a play. The chord is unusual but essentially a major chord. Does not adhere to equal temperament so it sounds odd to the typical musical ear.

A palm-muted d major chord played on an acoustic guitar. Recorded on a tascam dr-07 mkii.

Minuet WoO 10, No. 2, commonly known as Minuet in G Major